by Diana Miranda

Incomplete, written by Rebecca Mason and directed by Amalia Kontesi, is an introspective exploration of lost love and missed chances. The drama follows Phil and Louise, who, after decades of separation, find themselves in a fortuitous encounter at a remote train station. In 1985, Phil and Louise were young, in love, and ready to pursue a future together, united by their dreams of music and entrepreneurship—until Phil walked away with no explanation. Now, as they wait for a delayed train, they confront their past, grapple with lingering regrets, and question the potential for new beginnings.

Nadine Coulson, as Louise, shines the brightest with a performance that’s heartfelt and authentic. Her portrayal feels deeply truthful, allowing audiences to empathise with her journey. Coulson captures the nuances of a woman who’s moved on yet is still shaped by the choices she once made. Mark Keegan’s Phil, on the other hand, feels a bit restrained. While this reserved nature may mirror Phil’s character, it leaves him somewhat overshadowed, with his reactions seemingly subdued against the palpable emotions unfolding.

Flashbacks add a vibrant layer to the narrative. The younger versions of the characters are played by Cherie Hendrie and Rowland Stirling, who also multi-role incidental characters—a rebellious student or an insensitive colleague—adding distinct colours to the story. As Louise moves forward in her story, she comes across a downright brash man, played by Richard Carnaby, a character who’s hard to like but impossible to ignore. The cast is completed by Dee de Luca, whose charming portrayals as Louise’s best friend and an esteemed student provide a soft counterpoint, anchoring Louise’s story in friendship and loyalty.

The play dedicates its first half to Louise’s perspective, revealing the meaning and challenges she’s found throughout the years in her family and career. Phil, in comparison, is left largely as an observer until considerably later, when glimpses of his life emerge. This insight provides balance but arrives almost as an afterthought, watering down the impact of his arc.

While the show is rich in realism, the production’s clear commitment to reflecting the state of waiting sometimes verges on monotony. However, the flashbacks, staged front and centre, are refreshing and inject much-needed vibrancy. In addition, the intimacy of the theatre makes audiences feel in the thick of the events, close enough to see the tenderness of a kiss on the forehead or the
frustration in a pair of rolling eyes.

Inspired by the song “Louise” by The Human League, Rebecca Mason takes the image of an unexpected encounter and makes it her own in Incomplete. The play challenges typical “found-love” tropes and explores other senses of purpose. Through Louise’s story, Incomplete is an open-hearted portrayal of life’s messy rides and reminds us that happiness isn’t a flawless destination.

Incomplete runs at The Bridge House Theatre through 28 September 2024.

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