by Michaela Clement-Hayes

Real life can often be bleak, so many of us choose to escape from time to time. Perhaps we do this by reading a book, or going to the theatre. Those few hours of respite allow us to leave our world behind and be anyone we wish to be.

Based on the novel by Neil Gaiman and adapted by Joel Horwood, The Ocean at the End of the Lane is a story about bravery, books and belief – not only in magic, but also in yourself and those you love. We meet Boy (Keir Ogilvy), a friendless child, bullied at school and mocked by his sister (Laurie Ogden) for being weird. When he meets Lettie Hempstock (Millie Hikasa), his life takes an unexpected turn because something has awoken.

The cast is essentially flawless, with standout performances all around. Charlie Brooks really embodies the playful yet malevolent Ursula, whilst Finty Williams brings a sense of mischief to Old Mrs Hempstock).

It’s a wonderful production, simple yet beautiful in its opening scenery, but evolves into a show with a big heart and strong message. Jherek Bischoff’s score creates the perfect ambience for the story, providing a mix of foreboding and joy as we watch the action play out. The effects are fantastic, wowing children and adults alike, and drawing gasps of amazement (and fear) from the audience. Despite the undertones of hope and loyalty, there are several moments of poignancy, humour, and – if you’re of a nervous disposition – utter terror.

Creepy, magical and mesmerising, this is a powerful and beautiful show that will have you reaching for your favourite childhood books and reading them in bed with a torch.

The Ocean at the End of the Lane runs through 25 November.

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