Boy Parts, Soho Theatre

by Zahid Fayyaz

This is the premiere of an adaptation of the popular 2020 Eliza Clark novel, Boy Parts. A comic thriller, this is the story of Irina. She is a Newcastle-based photographer of young men, and is either a violent killer or a damaged fantasist. It’s never clear which one is the correct interpretation of the main character. This makes the show more fascinating, as it leaves the audience and reader without a sure footing.

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Preview: Malevo, Peacock Theatre

by Archie Whyld

What an honour to be invited to residence of the Argentine ambassador on Belgrave Square for the UK premiere of South American dance sensation, Malevo. After being treated to a glass (or two) of Malbec from Vistalba of the Mendoza region of Argentina (characterised by subtle hints of ripe cherry and more complex notes of leather, tobacco and black pepper, it was both delicious and moreish), I was suitably primed for this high energy, intricately choreographed, blast of Malambo passion.

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The Ocean at the End of the Lane, Noel Coward Theatre

by Michaela Clement-Hayes

Real life can often be bleak, so many of us choose to escape from time to time. Perhaps we do this by reading a book, or going to the theatre. Those few hours of respite allow us to leave our world behind and be anyone we wish to be.

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Frankie Thompson and Liv Ello: Body Show, Soho Theatre

by Zahid Fayyaz

Having previously created highly acclaimed solo shows in the last year, friends Frankie Thompson and Liv Ello have joined forces to produce a two-hander. Set in the aftermath of a nuclear apocalypse, the pair play survivors trying to determine who they are and how they fit into this new world. It is a clear nod towards Waiting for Godot. However, this narrative is very loose, and gives way to scenes that are both very funny and moving. These share the pair’s feelings towards society’s expectations on gender and the shape of bodies.

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