Help Yourself, Edinburgh Festival Fringe

by Laura Kressly

Jess and Victoria are best pals and girlbosses extraordinaire. As a response to what they see as too much sadness in the world, they’ve developed a five-step approach to “change ourselves and those around us”. The satire of self-help seminars, relentless positivity in the face of personal and societal collapse, and late-stage capitalism’s grifter culture is smart and initially silly, but underpinned by a serious message.

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Gunter, Edinburgh Festival Fringe

by an anonymous guest critic

This show is the very modern telling of a witch trial that you’ve likely never heard of. In 1605, in a small town in Oxfordshire after an altercation at a football match, Brian Gunter tries to get his neighbour Elizabeth Gregory hung as a witch, blaming his daughter Annie’s mysterious illness on her. Without wanting to spoil the story, it doesn’t quite work out as he planned.

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Nan, Me, and Barbara Previ, Edinburgh Festival Fringe

by an anonymous guest critic

Hannah Maxwell is back at the Fringe with her second show after 2019’s charming I, AmDram. This one is similar. It’s about what happened next for Hannah – moving back to Luton to care for her recently bereaved grandma. A show about 30-something angst, obsession and stalking should not be charming, but Maxwell manages to make it so. 

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