by guest critic Kudzanayi Chiwawa
Heads or tails – with the flip of a coin, on this evening, Juliet Stevenson is Elizabeth I and Mary Stuart is portrayed by Lia Williams.
The play opens with urgency, the stakes are high and the rhythm throughout doesn’t let up. It’s exhilarating. Williams commands the stage like a beautiful beast, burdened by captivity. We know how history reads for these two women, but the battle waged on stage, makes you wonder how will it end.
by guest critic Ava Davies
On the first page of WHITE’s playtext, Koko Brown writes, “This play is for anyone who has ever felt like the other”.
“You have the best of both worlds/ But you still have to pick a world/ You have to pick a side”
by guest critic Lara Alier
Two women get married. Eight months later, two women separate. The relationship is not measured by its length, but by its electric, high intensity. We see snapshots of their lives, flying in and out their present and their past.
by guest critic Joanna Trainor
There’s a mole in the secret service.
Neil Connolly is spymaster James Sneezy, and he’s gathered us all to find out who the double agent is. It won’t be easy for the audience though; there are high levels of security to get through, cryptic communications to decipher and definitely no running.
The Play's The Thing UK 