Greywing House, for everything theatre

“One-person shows are extremely hard to create and perform effectively. It’s easy for them to be too long, too boring, too bizarre, too indulgent or too lots of other things. Greywing House uses poetic writing and language, puppetry and movement to craft a narrative that gradually exposes the otherworldly realities of coastal Greywing House and its proprietor, Miss Amelia. The audience are the guests staying at this B&B (which doesn’t offer breakfast because it’s too hard for Miss Amelia to keep track of the time) in the fictional coastal village of Cradlehead. There isn’t much to do in Cradlehead, but the local residents and ghostly legends make it unlike any other seaside destination…

“Miss Amelia is the epitome of polite restraint, akin to a 1950’s housewife. She seems quite innocent, but with a hint a melancholic nostalgia. She is warm and friendly, though this gradually deteriorates into desperation and madness. Mary Beth Morossa, the creator of the show, plays her with detail and sensitivity…

“This is a one-person show that is not without potential but still needs development. Having debuted at the London Horror Festival last year, its creepiness works any time of year and I could imagine it in the programme of numerous fringe festivals.”

Intention: ☆☆☆☆

Outcome: ☆☆

Star Rating: ☆☆☆

Read the entire review on everything theatre:


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