The Art of Gaman, Theatre503

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by Laura Kressly

Tomomi stands on the prow of a ship with arms flung open, ready to embrace a new life as a Hollywood actress. There’s something of Kate Winslet in Titanic about her unfaltering determination and hope – and that seminal pose, of course. When an older man disturbs her quiet reflection on the fish feeding below the water’s surface and her need for acting compared to their need for water, her destiny is forever altered.

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Poet in da Corner, Royal Court

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by Laura Kressly

At the start of the millennium, Deborah is a teenager living on the edge of East London with her silent father and zealous Mormon mother. She feels suffocated by religion when she starts secondary school. But as she gets stuck into this new world, she meets Vyper and discovers Dizzee Rascal. Once her mind and her talent are unlocked by these two forces, her life is irrevocably changed for better and worse.

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Drip Feed, Soho Theatre

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by Maeve Campbell

Karen Cogan begins her one-woman show floppy and lifeless looking, slumped over a grubby sofa bed. This is an uncomfortable image to pre-show chat in front of and it sets the mood for the proceeding work. Drip Feed is Brenda’s story, a ‘youngish’ queer woman living in Cork, inhabited by insular, parochial and judgemental residents. Brenda, though, is ‘part of the furniture’ of the city, but seems both in love with and restricted by it.

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Eris, Bunker Theatre

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By Laura Kressly

Sean broke up with Tim because he’s just too fabulous and refuses to try to fit in. But now Sean’s sister is getting married back home in Ireland and he doesn’t have anyone to bring to the wedding that will suitably piss off his conservative, Catholic family. With his bestie Callista in tow, he embarks on one outrageous Tinder date after another as the trip home gets ever closer.

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Revelations, Summerhall

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by Laura Kressly

James Rowland’s trilogy about his best mates Tom and Sarah began with Team Viking two years ago on the free fringe. A Hundred Different Words for Love followed, and the story now comes to a close with the funny and tragic process of growing up that begins with donating sperm to Sarah and her partner Emma.

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Prom Kween, Edinburgh Festival Fringe

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by Laura Kressly

If you were anything other than one of the popular kids, you probably hated school. Matthew’s in the process of coming out as nonbinary so they’re obviously having a bad time of it. Luckily, their best friend Binkie and his fairy godmother RuPaul have their back in this messy, glittery musical ode to being different.

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And Tell Sad Stories of the Death of Queens, King’s Head Theatre

by guest critic Greg Forrest

Trans drag queen Candy Delaney (Luke Mullins) is about to turn thirty-five, with three properties in New Orleans, a successful interior decorating business, and a leak in her heart. Looking to leave this little empire to someone, Candy picks up a “straight” sailor in a gay bar (George Fletcher), and makes a tentative offer.

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