Margaret Thatcher Queen of Soho, VAULT Festival

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by guest critic Gregory Forrest

The night before Parliament votes on Section 28, an amendment to the Local Government Act which prevents schools or similar local authorities from promoting homosexuality, Magaret Thatcher finds herself in a Soho nightclub. This is the fabulous premise to the now iconic drag cabaret: Margaret Thatcher, Queen of Soho.

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Consumables, VAULT Festival

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by guest critic Gregory Forrest

A young drug-addicted porn star is looking for someone to kill and eat him. A clean-freak older man is looking for a good, tasty fantasy. So what happens to the carving knife? It’s a strong set up, and when cannibalistic fetishism is first introduced to Consumables – effectively delayed in Matthew Kyne Baskott’s’s script – the topic undoubtedly sticks in your throat.

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Stud & If We Got Some More Cocaine I Could Show You How I Love You, VAULT Festival

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by guest critic Gregory Forrest

There are no openly gay male professional footballers currently working in Britain. Of course, there are almost definitely gay male professional footballers currently working in Britain, but the prospect of coming out in a sport well known for its chanting crowds and tabloid-splashing players is a daunting one. Paloma Oakenfold’s new play Stud tackles this issue head on.

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Dietrich: Natural Duty, VAULT Festival

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by guest critic Tom Brocklehurst

A one wo(man) show by Peter Groom, Natural Duty focuses on Marlena Dietrich’s involvement with the US war effort during World War II. During the war, she spent several years at the front line in France, Belgium and Germany, improving troops’ morale by performing shows and meeting soldiers.

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Tumulus, VAULT Festival

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by guest critic Gregory Forrest

A serial murderer is killing [victim trope] and the police won’t listen. Now, a hero must find justice in his own way [he’s usually male], unaware that by digging up secrets he will soon become the killer’s next target. It is the worn-out plot of a thousand films. And it is the same tired story which is is given a jolt of electricity by Tumulus at Vault Festival.

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Freddie, Ted, and the Death of Joe Orton, London Theatre Workshop

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Freddie and Ted are a couple in 1960’s Brighton. At the start of their relationship, homosexuality is illegal so the two pretend that young musician Ted is older Freddie’s lodger. As time passes, equality is recognised and Ted grows up. The progressive young man is idealistic and forward-thinking, whilst his partner is stuck in the past. As tension builds between them, rifts form that might be too deep to be repaired.

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