Bullish, Camden People’s Theatre

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Asterion wanders through the night, in a world that doesn’t really fit them. The minotaur of Greek myth, Asterion is the only one of their kind to exist. Asterion is bull-ish, neither human nor bull. Or, both human and bull. Either way, they’re on the hunt for adventure and way out of a labyrinth.

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Submission and Sarah, Sky and Seven Other Guys, Edinburgh Festival Fringe

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A British Pakistani Muslim tries to reconcile his faith and family with his love of men and clubbing.

A gay guy and his straight female bff share a flat, a mutual adoration for classic films and the occasional man.

Liver & Lung Productions’ two new plays, whilst needing further development, look at two issues that queer men of colour face. Submission is the stronger of the two works, though Sarah, Sky and Seven Other Guys includes a mix of serious and light-hearted material.

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Odd Man Out, Hope Theatre

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A middle-aged, gay Welshman contemplates the English class he teaches in Hong Kong. Amongst the students is Windy, the Chinese woman with whom he shares his bed. Utterly smitten with her, he refers to her as his Pocahontas. He then kisses a barbie doll with long black hair and tanned skin.

Pocahontas was a Native American woman kidnapped by the colonising English in the 1600s, forced to marry, then taken to Britain. The same woman bore her husband a child then died, aged 21, after contracting a European illness.

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Liza’s Back (is broken), Underbelly

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by guest critic Maeve Campbell

Liza Minnelli should have starred in the original Sound of Music, Gypsy and Les Miserables, but somehow things got in her way. That’s Trevor Ashley’s vision, and he is giving her some of those classic Broadway moments in this hour and a half show. Direct from rehab, Ashley’s Liza is suitably glittery, lispy and pant-suited. This is not a subtle impersonation, but the receptive London audience certainly don’t want that.

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Hir, Bush Theatre

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Issac is returning home after a three-year stint as a US marine where his job was to pick up body parts after front line attacks. He longs for the peace and quiet of his nuclear family and the familiarity of middle America so he can make peace with the demons of war. But on opening the door of the house he grew up in, he discovers a revolution has taken place on the home front. After a stroke turned his father into a near vegetable, his mother is avenging years of abuse. His sister Maxine has transitioned to Max. Both mom and Max have rejected social conventions and are living in an anarchic mess of laundry, dishes and socio-political soundbites.

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Ponyboy Curtis vs., The Yard

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Trying to write about Chris Goode’s latest Ponyboy Curtis show vs. is like trying to fit a hurricane into a canning jar. The energy, love and freedom on the Yard’s stage is irrevocably alive and unrestrained, and trying to pin this one-of-a-kind butterfly onto a page kills it a little, or a lot. So take this review as a tiny sample of an extravagant banquet that can only be fully experienced directly.

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