by Joanna Trainor
The first rule of Bite Club – tell absolutely everybody about Bite Club! Briefs Factory are back in Britain, and not a moment too soon. Feathers, wigs, exceptional headwear, soaking wet thongs, a man entirely covered in glitter – what more could you possibly want? Heartfelt sentiments and joy? Also check.
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by Zahid Fayyaz
Fresh from a West End run several months ago, Wonderville has hunkered down to do its own residency at its own purpose-built venue at the former Planet Hollywood café in London’s Haymarket, a few minutes from Piccadilly Circus. Here for an open-ended run, there is a mix of magic and variety acts, playing on rotation.
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by Zahid Fayyaz
The now ubiquitous cabaret and circus spectacular La Clique has made its annual return to London for its eighteenth year. As the compere says before the show started, the consumption of alcohol is very much encouraged. Though this leads to big queues at the bars, which will hopefully speed up over the run, it’s a great night out. Located in the spiegeltent in Cavendish Square, behind John Lewis on Oxford Street, it’s a lovely spot on sunny days.
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By Becky Lennon
‘’Everything is Big at the big top! Its Big, it’s whopping, the fun’s never stopping!’’
Nora, a clumsy girl with no gang of friends, discovers that she is the long lost great-great-great-granddaughter of Big Bones, the owner of the Big Bones Big Top Circus! We follow her journey to the big top where she meets various characters, such as Jim Membership the strong man. Nora is also met with the news that the Big Top has a curse, which prevents audiences seeing the show. Will Nora be able to reverse the curse and reconnect audiences with the circus?
by Euan Vincent
The Art of Cuddling and Other Things might more aptly be named the art of subversion, as Circ Motif delight in carefully building a set-up before delivering a delightfully twisted punch line. The die is cast with the opening sequence. Lights fade up on two men standing 10 feet away from each other, staring in blank silence. In the corner, a multi-instrumentalist solemnly creates an ambient soundscape (think Brian Eno when he still had long hair). The two men walk towards each other and – without uttering a word – they embrace. Ahh, the art of cuddling. How touching.
By Matthew McGregor-Morales
“We’re going to go with intuition”, Ruby Wednesday tells a lady from Chiswick, as ambience-maestros Yoshi peel out the start of a haunting, rhythmic dive into minor keys and mayhem. Returning to VAULT Festival after a break-out 2019 run, The Feathers of Daedalus have taken Tarot up a notch, blending their signature circus and dance performances with audience readings and a soul funk soundtrack with climaxes a-plenty.
by Laura Kressly
John Gay wrote The Beggar’s Opera in 1728 to reflect a London ridden with corrupt and dangerous politicians, inequality and violence. Not much has changed in those nearly 200 years, then. Kneehigh updates the story to a rundown coastal town where all the citizens resort to cold-hearted ruthlessness in the name of survival, resulting in an extravaganza of murder, betrayal and spectacle.
by Laura Kressly
It seems like the Bunker has been transformed into a small-scale, DIY circus, setting the mood for a playful and uplifting story. Instead, an ensemble of 16 enacts a series of grotesque and infuriating sketches depicting refugees’ and asylum seekers’ experiences navigating the UK’s racist and classist ‘Hostile Environment’.
by an anonymous guest critic
Black Cat: Bohemia is a French-style cabaret show combining many exciting acts, including fire eating, aerial choreography and hula-hoop jumping. All of this is interspersed with lots of singing and dancing.
by guest critic Rebecca JS Nice
Barely Methodical Troupe members Louis Gift, Esmeralda Nikolajeff, Elihu Vazquez and Charlie Wheeller are bound together by their reliance on each other to lift, and catch so that very little happens independently. SHIFT plays with balance, direction and suspension by adding an object to the ensemble that has the strength and flexibility to bear weight and change gravitational paths. A giant elastic band acts as a naughty fifth body and limb, changing up the choreography and providing endless opportunities for play and experimentation.
The Play's The Thing UK 